Monday, June 30, 2014

The Free Bin: Pre-Code Superheroines, Deadly Fashion, and Homicide Hunter




I’ve had a wildly exciting week (which you’ll learn more about if you read the whole post), but I still found a little time to read, relax, and scour the net for fascinating stuff.

  • Tumblr blogger Saladin Ahmed has a cool piece on pre-code comic book heroines, rounding up forgotten female characters like Lady Satan, The Veiled Avenger, and a bleach-blonde jungle spirit who might well be the first woman with superpowers to appear in comic form.

  • The Guardian is calling it “the kinkiest secret in the Soviet Union”: a collection of erotic and pornographic works confiscated from aristocrats after the revolution. Deemed “ideologically harmful,” the vast collection of literature, artwork, photos, and film was off-limits to the public, but supposedly enjoyed by high-ranking officials. Because it was kept secret, most of it is remarkable well-preserved.

  • Victorian fashions could be as deadly as they were beautiful. From poisonous arsenic dyes to madness-inducing mercury-laced top hats, just getting dressed could turn a person into lunatic or a corpse. A new exhibit in Toronto is exploring the allure of deadly fashion and the desire for beauty at all costs.

  • The Pablo Neruda Foundation has reported the find of twenty previously-unknown poems by the Nobel Prize-winning writer, calling it “the biggest find in Spanish literature in recent years.” The poems are said to be of high quality, matching that of some of his best works.

  • Actress Scarlett Johansson is reportedly bringing a lawsuit against an author and his publisher because the book features a character that is described as looking like the celebrity. Good luck with that.

  • In personal news, I spent most of last week filming an episode of the ID television series Homicide Hunter. I can’t reveal a lot because of spoilers, but some time around August, you can see me in a pretty plum part as a strip club owner/murder suspect. After the show airs, I’ll be sharing some of what I learned about structure from the show’s script, which dices up real-life murder stories and presents them in a way that makes the outcome a surprise.

Monday, June 16, 2014

On Losing a Manuscript

I suppose it could be deemed ironic that while working on a book about films that have gone missing, I lost my work. 
Photo: Sarah Wynne/Creative Commons License.

It’s not been very long since I returned from my writer’s residency, during which I completed the introduction and three chapters to my book—enough to begin sending out the samples required for a non-fiction proposal. To my horror, one of those chapters has now disappeared. The file is gone. It’s irretrievable, which I’m only just now admitting.

To make matters worse, the missing chapter is the one on which I spent most of my days during my residency, making me feel as if my time there was wasted. The section was on Drakula Halala, a lost Hungarian horror film, and the first to feature a character inspired by Stoker’s Dracula. I knew it would be a challenging entry in my book, so I chose it specifically to work on during my time of solitude in the cabin. I felt a major sense of accomplishment after completing it, because it had a lot of puzzle pieces, and I knew it was one of the most difficult chapters I would write.

So, what happened? I discovered the chapter’s absence when I started putting together my package to send to a publisher. (That step is on hold now, because the other sample chapters are not as strong without it.) I save all my work on Google Docs, where I’ve saved thousands of files. I’ve never had a problem with it, and appreciate that not only can I access my work online or off, but it saves automatically, even saving the previous versions of your work when you edit. Thanks to a glitch, my Drakula Halala file was deleted, and the previous versions disappeared along with it.

Normally, restoring an earlier version of a document is the simple way of restoring an accidentally-deleted file. Barring that, it’s usually found in the trash. Because I had the file opened in two different windows, it seems that I created confusion between the documents, and, not knowing which one to save, Google picked the blank file. It’s unlikely to happen again, as it required an elaborate series of goofy errors, and I know how to safeguard against them now. None of that will recreate my lost work.

While I regret not having downloaded my work immediately (it’s what I was doing when I deleted the file), I realize that almost no method of backing up your writing is 100% foolproof. A computer can be stolen. A house can burn down. Perhaps the only true safeguard would be to send duplicates of all your work to a secure and far-away location (not exactly practical for a freelancer like me with dozens of pieces in various stages of completion).

So, really, all writers risk the permanent loss of a work in progress to some degree.

It helps a little to know that it’s happened to others, and in much more devastating ways. I feel bad for lamenting my one chapter when Jean Genet had the entire manuscript of Our Lady of the Flowers confiscated in prison and destroyed. He simply started from the beginning and did it all again. Ernest Hemingway had a suitcase stolen from a train station in Paris in 1922 that contained everything he had written up to that date, including part of a novel. In my review of My First Book, I mentioned how Robert Louis Stevenson’s original map for Treasure Island was lost en route to the publisher and never found. While he recreated it, he admitted that the second version “was never Treasure Island to me.”

And that’s what gets me in the gut as I’ve gone through stages of grief. Yes, I went through a denial phase (“The file will turn up, somehow!”), and burned right through some anger and depression. Now I’m faced with the task of reconstruction, and it makes me nauseous. On the one hand, I know it can be done. After all, I did it before. On the other hand, I know what it took, and it took a lot, not to mention the fact that I wrote it during my residency, under ideal circumstances which I can not recreate now.

A friend advised me to put it back together a little bit at a time. It’s good advice for when I’m ready. I’m not ready. For now, my plan is to work on other things. I feel like I could face any chapter but that one. Eventually, I’ll write again about Drakula Halala. I’m sure it will be a perfectly fine chapter, but I’ll bet that, just like Stevenson, I’ll always know it’s not the same as what I did before.

Has your work ever been lost or destroyed? How did you handle it? Any advice for beginning again?